Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Friedrich Johann Overbeck
The Cross in the Mountains

ID: 62852

Friedrich Johann Overbeck The Cross in the Mountains
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Friedrich Johann Overbeck The Cross in the Mountains


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Friedrich Johann Overbeck

1789-1869 German German religious painter. Expelled from the Vienna Academy because of his opposition to its classicism, he went to Rome and with Peter von Cornelius, Veit, Schadow-Godenhaus, and others, formed the group known as the Nazarenes. His first real successes were his frescoes for the Casa Bartholdy (now in Berlin) and for the Villa Massimo. Among his notable paintings are Christ Entry into Jerusalem and Christ Agony in the Garden. Overbeck sought to make his art serve religion. His influence was due more to the purity of his doctrine than to the power of his work, which is often lacking in pictorial appeal and in color.   Related Paintings of Friedrich Johann Overbeck :. | Italia and Germania | Italia and Germania after | Joseph Being Sold by His Brothers | Morning in the Riesengebirge | The Cross in the Mountains |
Related Artists:
Alexander macdonald
1847-1921
David Teniers
Belgian 1610-1690 David Teniers Gallery Flemish painter. His father, also named David Teniers (1582 ?C 1649), was a painter of primarily religious subjects. The younger Teniers was highly prolific and is best known for his genre scenes of peasant life, many of which were used for tapestry designs in the 18th century. He was brilliant at handling crowd scenes in an open landscape and adept at characterizing his figures with a warm, human, and often humorous touch. As court painter to the archduke Leopold William, he also made many small-scale copies of paintings in the archduke collection; engraved and published as Theatrum Pictorium (1660), they constitute a valuable source as a pictorial inventory of a great 17th-century collection.
KONRAD von Soest
German painter (active between 1394 and 1422 in Westphalie).






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